Tuesday, November 6, 2018

A Tree Grows in Alabama









It's that time again, when ginkgo biloba trees practically glow yellow in the lucky parts of the Alabama landscape. They're special to me and my family, so much so that one made it into It All Comes Back to You. People often ask what inspired this or that in my books, and here's the story excerpt, followed by the real events.










I hope you enjoy it.


From It All Comes Back to You: “Stop, Ronni! This is the house where Johnny lived. See that bright yellow ginkgo tree? Dr. Perkins planted it for his wife after seeing one in Georgia, at Emory Hospital. He adored that woman.” She sighed and shook her head. “Anyway, it was just a tiny twig and he forbade us to go near it. He even built a protective wire fence. I don’t remember the thing ever growing past two feet. Johnny accidentally hit the tree with a basketball once and nearly died of worry.” Her eyes were wide and teary. “Now it towers over everything.” She bit her lip. “I wonder if Johnny’s been back here. He would love seeing it.” The tree was magnificent, at least thirty feet tall and blazing yellow. “They only stay like this for a few days. The yard will be carpeted in golden leaves soon.”



A Tree Grows in Alabama


My grandmother sat perched on the edge of her bed, smoothing her ivory chiffon skirt nervously. She looked like a porcelain doll, even at ninety-two. Lucile was the kind of woman who could wear head-to-toe lace-trimmed ivory anywhere but a funeral and look perfectly appropriate.


     Her childhood was one of utter poverty. Her mother was widowed at a very young age and left with eight children to feed. My grandmother married at fifteen and bore her first child at sixteen. She read voraciously and was one of the best-educated people I knew, despite leaving school after eighth grade. 
 

     She was warm, loving and beautiful. Lucile was adored by us all, the heart of our family. As a toddler my mother would ask if I wanted to go to "Mama's." I didn't know about the apostrophe, so I called her Mamas all my life.


     Mamas and Granddaddy were the center of the universe to their small grandchildren. We grew up pampered, encouraged, and assured of unconditional love. Granddaddy commissioned one of the first private in-ground swimming pools in the county for us to play in. He'd toss quarters into the deep end for us to dive and retrieve, a small fortune to us at the time. He would take me aside with a smile and hug me, whispering, "You're the best one I've got." I discovered later he did that with each grandchild, and loved him even more for it.


     They left Alabama upon retirement for a small Florida town. Granddaddy was a borderline diabetic, but he chose to ignore the diabetic part and cling to the borderline.


     We'd lost him to a heart attack many years before. It was my introduction to shattering loss, a time in my young life of utter confusion and despair. I stood outside and sobbed for an hour the night he died, asking God why he'd taken someone I loved so dearly.


     He was buried in Arcadia, Florida, and now his family was scattered across several other states. Mamas had made the painful decision to have his remains exhumed and returned to his Alabama hometown. She was planning a service to honor him all over again in a few weeks. As a result we were all thinking about the part he'd played in our lives more than usual.


     Today's mission—the one I couldn't bear to help with—was to locate a plot in the cemetery for Granddaddy with an adjacent one for Mamas. My grandmother planned a service for his reburial, and I was praying for the strength to help her through it in a few weeks.


     She was still in fairly good health, but her trips to the hospital were becoming more frequent. None of us could bear the thought of losing her. We lived in fear of pneumonia and broken hips.


     My mother poked her head into the room. "Are you ready, Mama?"


     Mamas nodded and I helped her to her feet, trying to contain my tears and act cheerful. She wasn't fooled. "It'll be hard, honey, but I'll be fine." She kissed my cheek and squeezed my hand before taking Mother's arm and heading for the door.


     I decided to clean house, my least favorite activity, to distract myself for the next few hours. I thought about the cemetery, wondering if they'd be able to find an acceptable space. I hoped my grandmother was feeling strong and faithful in her decision to bring Granddaddy home after almost thirty years. It was a very expensive and complicated process. Some people had openly questioned the idea, and she'd cried and prayed over it for months. Mamas had discussed her feelings with me several times. I'd encouraged her to follow her heart no matter what anyone said. It was to fall to me, the only grandchild able to attend, to represent all of my cousins that day. She wanted me to place a rose on his new grave as part of the ceremony. Burying Granddaddy again would be one of the saddest things I'd ever experience, but it was right to have him next to her for eternity.


     When the phone rang, my mother’s excitement made me throw the dust rag down and collapse into a chair to listen.


     “You would not believe what I’m looking at,” she said. “We stopped by the old house and the ginkgo biloba tree is huge and brilliant golden yellow. You can see it from a mile away.”


     I pictured the three-foot-tall twig I’d known as a small child, carefully surrounded by sturdy wire fencing and forbidden to grandchildren. Granddaddy had fussed over it constantly but we never saw a single ginkgo leaf I could recall. The tree was a running joke; something to kid him about. He never gave up trying to make it grow, and it never obliged.


     On a whim, Mother and Mamas had driven out of their way to visit the house my grandparents lived in during my childhood. The neighborhood we remembered was gone. Dilapidated houses remained with yards gone to seed. No children ran and played here; no one remained from the time we'd known and loved this as the warm, happy place we cherished in memory.


     "It's the one beautiful thing here, Beth. It's at least thirty feet tall, and so very pretty. Your granddad would be so thrilled. Think how he fussed over that silly twig every day." We laughed a little, remembering the constant joking over his tree obsession.


     We chatted for a minute about our memories of that place and how magical it was for all of us. Mom took a deep breath and said they needed to get to their appointment at the cemetery.


     "I love you, Mother. Give my love to Mamas. I'm so glad about Granddaddy's ginkgo."


     I closed my eyes and pictured all the cousins arrayed on the steps of that house, we girls in ruffled Easter dresses with legs akimbo and most unladylike. I remembered the rare winter when the pool froze over and we "skated" across it in socks. The hours and hours we'd spent playing at my grandfather's desk, pretending we were businesspeople. The joy of gathering at the table to play hours of Rook, munching on popcorn Granddaddy popped atop the stove. Gathering pecans in the side yard, helping my grandmother water her beloved flowers. Every bit was as vivid as yesterday.


     Still, I was trying to catch the wisp of something long forgotten. The tree. Something about the tree. It had to have had some special significance, the way Granddaddy fussed over and protected it. It was a story I'd been told as a young girl, not fully understood or appreciated.


     Tears rolled down my face before I even realized I'd remembered.


     Before I was born, my grandmother had thyroid cancer. Her future was uncertain at best and the family was terrified of losing her. Autumn was bleak. Mamas grew depressed and defeated, too weak to do anything but lie on the couch. My mother spent endless days caring for her, praying for a miracle and trying to make her smile.


     Mother still hates autumn to this day. She experiences it as a time when the world is dying, turning to dull brown and losing its summer joy. I have no doubt her feeling is rooted in that dark season so long ago.


     Emory University Hospital in Atlanta was my grandmother's best option for treatment. It lay two hours away, but Grandaddy took her back and forth several times a month. It was a grueling time for her; my mother told me Mamas had been offered little hope for a cure.


     In mid-November she saw the magnificent ginkgo biloba trees on the Emory campus burst into color. She was fascinated by the delicate fan-shaped leaves and their brilliant golden canopy. They transformed the plain landscape; they welcomed her each time to the doctors and nurses who worked so hard to heal her.


     Grandaddy saw the light in her eyes when she looked at them. He did what any man in love with his wife would do, though it took him on a lengthy and difficult search in 1950's Alabama.


     Somehow he located a rare ginkgo and planted a tiny sapling for her, a symbol of his love for Lucile and his hope for their future together, right in that modest Alabama front yard. His proudest legacychildren, grandchildren and great-grandchildrenhad scattered like fall leaves across the south and never beheld what became of his precious little fenced-in plant. We'd forgotten it, lost among the memories of family laughter and love.


     Granddaddy had lived in Florida for many years before he went home to God. He never saw the ginkgo biloba soar to its towering glory for the world to behold, but my grandmother did . . . at the perfect, breathtaking moment. And she knew without question she'd made the right choice to bring him home, to the place and the woman he'd always love.

Granddaddy's Ginkgo












Love from Delta.
www.bethduke.com


 

Wednesday, September 26, 2018

When a Food Network Star Goes into a Black Hole

I like to bake, to get lost in the artistry of cakes or macarons, but cooking...not so much. What I do enjoy is watching other people cook. 
The right people.
I have binge watched almost every season of Food Network Star for this reason. The cooking tips are fabulous, the personalities captivating, and nervous breakdowns more pleasing because they're not my own. 
The Food Network knows what they're doing here: parade a bunch of innocent, fresh-faced, talented chefs in front of viewers. Frame them as the culinary genius, the best on camera, the stupid one, the arrogant one...every reality show stereotype you can conjure. Spice with cool judges like Giada De Laurentiis and chef-stud Bobby Flay. Mix well and bake for umpteen episodes, carefully scooping out the burnt bits. 
Serve up a new Food Network celebrity on a silver platter, garnished with a tv show deal and cookbook publicity. Think: Guy Fieri. 
It's a win-win for obvious reasons, like the American Idol franchise was for 19 Entertainment and Fox Television Network: bring some talented people out of obscurity, let the country fall in love with them, choose a winner and voilĂ  (bam!).
You just created a new on-air personality, guaranteed viewers, a show concept, maybe an aisle or two of merchandise that will create bigger lines at the local Walmart. 
Except.
Except for the ones viewers fall in love with that simply (whoosh) disappear. The stars that are sucked into a black hole.
I developed an emotional connection to Justin Warner over the last two days. He's a culinary Mozart, a wunderkind who appeals both to my inner nerd and quirky-people-lover. Fascinating to behold onscreen, he created dishes from fish bones and bat wings (that may be only a slight exaggeration) that looked and tasted fabulous. He made a modern Caesar Salad with a gelatinous mass that sorta melted over warm greens.
Genius.
Justin Warner
And he was fun to watch. Genuine, witty, dry as a week-old pancake on the beach. I loved him. 
Everybody loved him. 
He won Season 8, and was to have a new series of his own produced by Alton Brown (my cerebral celebrity chef crush).
He went off into a black hole (Black Forest?) instead. You can find no way to watch the mysterious one-hour special he starred in before he vanished.
Word is, he appears in a fairly obscure internet-only series of little video clips titled "Foodie Call." 
Big props for the title, but who has time for that?
Viewers who got all invested and weepy are left to wonder: what the hell went wrong? Why isn't Justin, a self-proclaimed food rebel, starring in an actual Food Network series in my tv every single week with episodes like Rebel with Hot Crab Claws
There's another one, though it's easier to understand: Season 10's Lenny McNab, a "cowboy chef" who aww-shucks-ed his way into the hearts of millions and won with his easygoing personality and stunning food talent.
Until discovery of his old social media posts that would make Harvey Weinstein blush. He apparently even insulted the overrated but beloved Pioneer Woman. (See: Walmart, Aisle 16).
Lenny McNab, reputedly in a black hole near Pluto
Then there are people you love who didn't do a damn thing wrong, deserved to win, and would eclipse that pioneer lady back onto the prairie. Birmingham, Alabama's own Martie Duncan is brilliant. Not only a talented chef, she specializes in parties and fun and laughter and all the things entertaining is meant to be. She represented my home state with grace, beauty and intelligence. Martie should be in my living room on a regularly scheduled Food Network basis, making me feel like I have a caterer, decorator and bartender on speed dial.
She says she can do that, and I don't doubt it for one second.

Birmingham's own Martie Duncan


Just stop it, Food Network. Stop creating stars and banishing them to another galaxy. Viewers like me want more—much more—of fan favorites like Justin Warner and Martie Duncan.

Lenny McNab...well, you can keep him orbiting out there with Pluto. Anything less would cause the little kitchen on the prairie grief, and no one wants that.





Love from Delta.

Monday, September 10, 2018

We.


Quick, name the most mundane thing you can.
I'll help. It's folding laundry.
That's what I was doing that morning, sitting on the bed surrounded by faded towels and washcloths. The children were at school.
Matt Lauer still had hair, and he was droning on about nothing of interest.
Until.
Until he and Katie started talking about a plane hitting the World Trade Center Tower in New York City, a place so far removed from my consciousness at that moment, it didn't really sink in.
Stuff happens. A plane went astray.
But Matt kept referring to it. Katie started looking less perky and more concerned.
I called my husband at work, because he's a pilot and he knows stuff. "How the hell could air traffic control mess up enough to send a small plane into a building in New York City?"
He basically said that made no sense.
Maybe a pilot had a heart attack or something. It was almost 9:00, and I told him I'd call back if I heard more.
I had absolutely no concept of the kick to my heart that would be delivered in about seven more minutes, as the second plane struck and we all, collectively, lost our innocence.
The single person we became as we watched the towers collapse, the Pentagon attacked. When we, as one, cried because some very brave people thwarted the fourth sky-bombing by forcing their own jet airplane into the barren fields of Shanksville, Pennsylvania, population 245.
Synonymous now with courage and defiance.
Let's roll.
We.
We, as one, looked into the skies in fear, knowing aircraft were grounded and dreading the sight of one.
We did that for months, long after flights resumed, furtive glances for anything evil lurking in the fluffy white clouds.
We had nightmares.
We held our children closer, longer, and were moved to tears as we did.
We mourned, we raged, we were united in our grief.
How utterly heartbreaking it is to consider that unity was only created in tragedy, and we've lost it.
Except for September 11th, when a ghost of America as One, ephemeral and shimmering, is briefly glimpsed.












Love from Delta.




Wednesday, September 5, 2018

The South 101: Everything You Should Know About Banana Pudding

 

 

Write a blog post, they say. 
Make it connected to your new book's characters. 
Make it captivating.

Okay. Nothing is more captivating than the words "banana" and "pudding" together.


There may be controversy about a few things in The South, but we are in complete accord about banana pudding. Your Aunt Mary Nell brings it to every gathering. Your relations muster some whenever a family has someone in the hospital or loses a loved one.

And in IT ALL COMES BACK TO YOU, Violet and Ronni both adore it. That may not be mentioned in the book, but they do. Trust me, it's a foregone conclusion.

There are people who will tell you banana pudding originated in the North. Those people are lying. Now it's true, they had bananas when bananas were a luxury for Southerners, but they did unspeakable things with them. Like this.


 
What is HAPPENING here?





Lord.


In 1921, (we refer to this as "The Industrial Wafer Revolution"), a Mrs. Kerley in Indiana or Illinois or one of those I-states contributed a recipe for a banana pudding with Vanilla Wafers to a newspaper, while a Mrs. Smith invented a banana pudding with Vanilla Wafers for the Atlanta Women's Club cookbook, Pastries, Puddings, and Dumplings. And that is a cookbook title after my own heart.


  • Y'all hush. They weren't called Nilla Wafers until later.
  • Mrs. Smith's recipe was way better, bless Mrs. Kerley's heart.


Anyway, in the 1940s The National Biscuit Company (apparently the U.S. was still British enough to call what are clearly cookies "biscuits") published the now-classic recipe on the side of its Vanilla Wafers box, the whole shebang, with one metric ton of wafers, a creamy custard to cradle the bananas lovingly, and a meringue slathered all over the top. Serve it hot or cold. Earn the eternal affection of your family.


This is how it's done, folks, and I guarantee you, Violet would've eaten plenty of this in 1940s Alabama and Ronni is still eating it somewhere.

As for me, I'm a heretic. I like my banana pudding the way my mom and my daughter prepare it (you notice I'm not doing the heavy lifting here): not baked, with chilled pudding.



Here is the most fabulously exciting part of this blog post...my friend Marianne and I are going to the NATIONAL BANANA PUDDING FESTIVAL next month. Yes, this is a thing. Be very jealous, because they have a Puddin' Path, this glorious gift from God where you pay $5 and taste a plethora of pudding.

Grab a hankie—you may have to dab the corners of your mouth—the featured flavors this year include: Moon Pie Banana Puddin', White Chocolate & Caramel Banana Puddin', Puddin' and Pearls Banana Puddin', Caramel Cheesecake Banana Puddin', Eagle Brand Banana Puddin', and many more.

None of these flavors are heretical. They would only be heretical in an I-state (just kidding, y'all).


I fully expect to see some version of Ronni there, and I know Violet will be at the banana pudding festival in spirit. She'd have loved it, and probably would've been crowned Puddin' Princess (I made that up, but they should have one). 



You can follow this link to the Puddin' Path 
NATIONAL BANANA PUDDING FESTIVAL

Meet Violet and Ronni here, in IT ALL COMES BACK TO YOU (click the pic)
https://www.amazon.com/All-Comes-Back-You/dp/1519303483/













Love from Delta.  
www.bethduke.com


Friday, August 26, 2016


A Feather's Not a Bird


I'm going down to Florence, gonna wear a pretty dress
I'll sit on top the magic wall with the voices in my head
Then we'll drive on through to Memphis, past the strongest shores
And on to Arkansas just to touch the crumbled soul

A feather's not a bird
The rain is not the sea
A stone is not a mountain
But a river runs through me


- Rosanne Cash, "A Feather's Not a Bird"

Tom Hendrix



Johnny Cash's daughter wrote at least part of that song sitting where I did yesterday, in Tom Hendrix's driveway. We were surrounded by one of the most astonishing things I've ever seen—several million pounds of rock formed into an eternal memorial to Tom's great-great-grandmother.

And it's easy to see why. No one could visit Tom's Wall without being profoundly moved. I cried more than once listening to him tell Te-lah-nay's story. She was a Yuchi Indian, an eighteen-year-old forced from her home to walk the Trail of Tears to what we now know as Oklahoma. And Te-lah-nay did what no other of the thousands who were brutally "relocated" managed.

She walked back to Florence, Alabama. It took her five years to reach the place where the woman in the river sang to her, where she could be at peace, where she belonged.

She was a medicine woman who boiled willow bark for "head trouble." Her journal is probably the most precious thing Tom owns. He grew up listening to his grandmother tell the stories of Te-lah-nay's life and to the song of the river. He knew he had to do something to honor her memory.

He was talking to an elder in the Yuchi Tribe about it when he was told, "All things shall pass. Only the stones will remain."

So Tom did what pretty much no one else could imagine doing: he spent thirty-five years of his life constructing a wall of Tennesee River rocks. Thousands and thousands of them. One for each step his great-great-grandmother took to and from Oklahoma.

People call it a "magic wall" and I guess that's right.

Florence, Alabama is a beautiful city on the mighty Tennessee River. Stately homes dot the bluffs high above the water. The University of North Alabama sits on the edge of a vibrant downtown where college kids chase Pokemon and meet for pizza and beer. Upscale shops and fancy restaurants are all around if you can afford more than Ramen Noodles. I loved staying there.

But miles away from all that, bounded by deceased corn stalks and masses of leafy vegetable crops I couldn't identify, I found what is officially known as the Wichahpi Commemorative Stone Wall. It beckoned from a lot heavily shaded by trees that have seen hundreds of years.

Much better though, I found Tom Hendrix.

Tom's eighty-seven. His voice is gentle but commanding, each syllable carefully enunciated in an educated and clear manner. His eyes and cheekbones testify to his Yuchi heritage. He almost never pauses—the man is a born storyteller—and he's one of those people who clearly love people. It was a huge privilege to have him to myself for an hour.

We almost lost him. He was in a bad car accident recently and is obviously still in pain. That doesn't dim his enthusiasm for his massive project and the ancestor he honors one bit.

It's a woman's place, he told me. The wall and its benches and small amphitheater and prayer circle are all about the spirits of grandmothers, mothers and daughters. There's a special section that evokes grandmothers and I cried when I saw it, remembering my own.

It's a strangely peaceful and calm, tranquil spot. Even on an Alabama August day, the trees provided cool shade and I walked the length of the wall, trailing my fingers here and there on its surface and feeling generations of love and memory.

People all over the world know about Tom and his wall. They send special rocks to be carefully placed in a section he set aside for them. One looks like a glittery "girl whale." One is said to be a source of fertility. He put it in a place it can't be accidentally touched, and he swears a forty-nine year old woman held it and delivered a baby a year later. Fossilized wood, mastodon teeth and a turtle. There's a meteorite he had me pick up, small and unbelievably heavy.

But this place is about light and love and peace. I'm so grateful I got to visit it and the remarkable man who created it all.

This is where it all started...










The Prayer Circle—Tom says a few local ministers come here to prepare sermons.

Glittery girl whale with lipstick, one of many offerings from around the world. More follow...

Design from Te-lah-nay's journal; the artist who recreated it in stone signed it at lower right as "Man Who Falls Off Horses."


Meteorite

From the ocean, and lightning-fused sand


Fossilized wood

The Fertility Rock (no, I didn't)


Fossilized turtle!


  •  Te-lah-nay means "Woman with the Dancing Eyes." Tom's got 'em.
  • About "wichahpi": Charlie Two Moons, a respected spiritual leader, told Tom, "The wall does not belong to you, Brother Tom. It belongs to all people. You are just the keeper. I will tell you that it is wichahpi, which means 'like the stars'. When they come, some will ask, 'Why does it bend, and why is it higher and wider in some places than in others?' Tell them it is like your great-great-grandmother's journey, and their journey through life: it is never straight."
  • "Indian" is the word Tom uses most often rather than "Native American", so I did here.
  • Tom has written a book about Te-lah-nay's journey titled "If The Legends Fade." For more information about the book and its author, please see: www.ifthelegendsfade.com
  • Here is a link to Rosanne Cash's beautiful song, which I loved way before I knew its connection to Tom's Wall: https://youtu.be/v5PzW1ZkGlI







Love from Delta.

Wednesday, July 8, 2015

Steel: An Excerpt from Delaney's People


 Steel

(Tom’s Great-Great Grandfather’s Sword)

 
I will tell you of my experiences; the ones remembered, the ones not spent in dark closets and attics and once, in a barn filled with hay. The things I whispered into the dreams of those who examined me, gingerly turning me over and over, as if I were fragile. I am anything but fragile.

     I was forged in Prussia, white hot and then, cold blue. Thrust into the hands of a boy, a boy who wept at night; fat tears splashing. He did not want to go to war. I never heard his name.
     
     Sheathed at the side of his horse; he used his gun, never me. When the horse collapsed, bleeding, the older boy grabbed me and ran. He sat in the tent hours later, running his finger back and forth along my blade, a gesture of love. “Look what I got,” he bragged to his friends. I was his prize; the finest object he'd owned in his short life. He would not let them touch me.

     This boy, the older one, was experienced. The first day, he ran me through the lung of a twenty-year-old private from Akron, Ohio. Pulled hard, tugging, to free me from the cold earth. Sliced another, older man nearly in two. Back in the tent, he told the others, “I killed five Yankees.” They were never men or boys. They were Yankees. And, it was two. He killed two in that battle.
 
     There were more and more in later days, though. The boy was good; he had a feel for balancing my weight, the correct stance, the right hold. He was fast, too. His name was Josiah.

     We moved mostly at night, hooves flashing in the moonlight. The boy was hungry. The boy was tired. He kept me close at hand; I was his truest friend.

     At Bentonville, he was shot in the arm, a searing pain that brought him to his knees. He dropped me suddenly, but picked me back up with his left hand, running as fast as he could. Always running.

     We went home to Hillabee, Alabama. By the time the boy's infection cleared, the war was over. The boy was bitter. He was secretly convinced he could have helped the South win if he had not been hurt. Mostly, the boy was hungry, and he was so very tired. He packed me away in a trunk, his ragged uniform on top. I was moved to a barn, forgotten amid tools in the loft.

     In 1916, Josiah was a very old man. He wore me at his side, in a new hand-tooled leather sheath, to the Confederate Veterans' Reunion in Birmingham. He told old-man stories, patting me with pride in his trembling voice. He wept old-man tears. They pinned a souvenir medal on his chest; took a photograph. Afterward, I went back into the trunk, carefully placed by the hands of his wife. I was left alone in an attic this time.

     Many years later, I was removed with murderous intent, handled for twenty minutes, turned over and over by an angry man. I was moved to a small, dusty closet. The uniform, my constant companion, was gone. I was forgotten again.

     I was discovered a decade later by a sobbing woman. She stopped crying and wiped the dust from the leather, curious. She did not remove me from the sheath; she seemed afraid. I was carried into the living room and placed on a table for her husband to see. He pulled away the leather. He was excited. He told her, “I think this was my great-grandfather's sword. My great-grandfather rode with Forrest.” He was right on the first count. On the second, he was incorrect. He would never be able to find out for sure. It became the truth.

     His name was Thomas. He took me to another house where I was stored away yet again, though wrapped in soft cotton. I was an object of pride, a treasure, a jewel in his hands. He showed me once, carefully cradled, to his young son. He told him of the Cause, “The war was not about slavery and its cruelty. My people were poor farmers who never owned human beings; they fought because they believed in their freedom. The war was about taxes and the right of each state to govern itself. The South was invaded by northerners who wanted to dominate our economy. And they sure did after the so-called Civil War.” He said, in closing, “My great-great-grandfather fought with this sword at his side and served with the famous general, Nathan Bedford Forrest.”
 
     The little boy, wide-eyed, asked, “Was it ever used to kill people?”
 
     Thomas said, “I don’t know for sure, but I would expect so. This sword will belong to you someday.” The boy nodded solemnly, touching my blade shyly, cautiously, before I was replaced in the cotton-lined box.

     Thomas examined me on the kitchen table every Confederate Memorial Day, making sure there was no rust, no damage. He wondered what the war had been like. He tried to hear the cannons. He tried to imagine the killing, the pain. He tried to imagine how Josiah felt, so very young.

     The boy, Tom, appeared next as a man of thirty-eight. I was cleaned and polished, hung over his mantel, gleaming in the firelight. That night, he called his son, Tommy, into the room. “What do you think what it was like, when your great-great-great-grandfather fought in the war? Could you imagine carrying this heavy thing from place to place, tired and cold and wet in the rain? Your ancestor, Josiah Edward Robinson, was injured and had to come back early because he was unable to fight anymore. Josiah's place had a big white farmhouse and several pecan trees around it. My daddy, your grandfather, visited it when he was very young.”
 
     A crumbled chimney stands sentinel.

     I was taken down occasionally; carefully, respectfully, slowly lowered into someone's waiting hands. They ran their fingers along, tentatively, lightly. Sometimes they wondered how sharp my blade really was, how many I killed, if they would have been man enough to fight in that terrible war.

     All the while, I was whispering.


Excerpted from Delaney's People: A Novel in Small Stories
 
©Beth Duke
All rights reserved
May not be reproduced without author's permission









Love from Delta.